Fantasy fiction is doing good business at the moment, but there are certain situations that have been overplayed. So much so, that they have become genre clichés, and everybody knows what to expect next. If you're a writer in the fantasy genre, here are 6 clichés you should try to avoid in your stories.

1. Receiving tutoring from the old wise man.

The 'Merlin' gambit, as used in Lord of the Rings, Star Wars, Dragonslayer and innumerable King Arthur clones. A stable boy or other similar seemingly low-born type is taken under the wing of the local eccentric. There's usually a beard involved, and a pair of blue eyes piercing from beneath some spectacularly bushy eyebrows. He'll say things like: 'All of nature is one', 'Use the force' and 'You have a great destiny, my boy.' Try not to give him a grey cloak and an elven sword. Maybe you could try having the youth tutoring the old man for a change? Or, more radical, how about having the teacher as an old woman?

2. Learning to fight.

The 'Galahad' gambit. The stable boy gets secret training in weaponry, allowing him to beat a seasoned warrior in his first fight. People say: 'I've never seen the like before' and 'He is the best swordsman I have ever seen'. Now how realistic is that? A radical idea would be to have the stable boy being completely useless at weapons. How is he going to fulfil his destiny then?

3. The parting from everything you ever knew.

The 'Dick Whittington' gambit. The stable-hand, being under a geas to complete a great quest, must say goodbye to hearth and home. People say: 'I must go and fulfil my destiny' and 'I will return when I have avenged my father'. This is usually done with a great deal of schmaltz and emotion. Sometimes it is done violently, the hero being parted from family by the villain of the piece, who he is destined to kill at the end of the story. Either way, it has been done so often that any tears you are expecting to provoke could well be due to laughter. Try to do something different. Why does the hero have to leave his family? What would happen if he took them with him?

4. Being abducted from earth to a different world.

The 'John Carter' gambit. People say: 'How did I get here'' and 'You have been delivered to us in our hour of need'. This one was heavily overused in the early and mid-twentieth century by H Rider Haggard and A E Merritt among others. Usually it is no more than a ploy to get a character the writer is comfortable writing about into a fantasy situation where said character could never otherwise exist. Edgar Rice Burroughs liked it so much he even had it happen to Tarzan on occasion. And it still happens, the most obvious modern examples being Thomas Covenant and the various present day characters that Stephen King has recruited into his Dark Tower series. Maybe your hero could be someone from another dimension who gets transported to Earth? Or maybe he stays where he is, but everything changes around him?

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