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The Paradox of Sarah Kane
Home :: Reference & Education :: Writing & Speaking
By: Raj Kamta Email Article
Word Count: 933 Digg it | Del.icio.us it | Google it | StumbleUpon it

  

Although upset by the slating, Kane went on to write four more plays in as many years. "Cleansed" was about love, death and drug addiction in a concentration camp and, like much of her work, was closely fashioned on real-life incidents. Whereas "Crave", written under the pseudonym of Marie Kelvedon, was about four warring factions of one individual's consciousness and was generally received as her most mature play up to that point. She also wrote the terrifying "Phaedra's Love" and "Skin", a short film for Britain’s Channel 4. Throughout this period, she travelled around Europe, leading theatre workshops by day and writing at night - becoming quite a celebrity in France and Germany.

While there is little doubt that Kane was an incredibly likeable, original and kind human being, depression was never far from the surface and she was at times unable to cope with the intensity of her emotions after completing "Crave". She admitted herself to the Maudsley Hospital in south London for a time but recovered sufficiently to enjoy her play's critical triumph - which was compared by some to T.S. Eliot's "The Wasteland". Unfortunately, her happiness was short-lived and the depression returned. In January 1999, after completing "4.48 Psychosis" (so called because it's the time of morning when people are most likely to kill themselves), she swallowed 150 anti-depressants and 50 sleeping pills. She survived because her flat-mate found her in time and rushed her to King's College Hospital in London. Two days later she was left alone for 90 minutes and was later discovered hanging from her shoelaces in a nearby toilet. She was 28 years old.

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