The "t" bar: Quite a variety here-which indicates adaptability and imagination. But predominant among them is the slightly weak, garland-like bar, which tells us that the subject follows the line of least resistance. He drifts along instead of fighting obstacles and often takes the easiest way out. There is a suggestion in lines 3 and 8 that the writer is sensitive and may not like criticism.

The "i" dot: The i dot is high and slightly to the right. The man is imaginative¬ and curious. But in lines l2 and 16 the i dot has been omitted, telling us of carelessness.

Direction of lines: The lines are obviously ascending so we see that the writer possesses a pushing, buoyant spirit, ambition, optimism, restlessness. A few of the lines tend to be arched. Perhaps this indicates a tendency to have too little stamina in achieving an ambition. The writer may lose interest before his aim is reached. However, this is outweighed by the test of the lines on the page. We might reach the conclusion that the writer will probably give up on the way to an ambition if the achieving of it means uninteresting or boring work, but will slog away to the conclusion at work, which really interests him.

Margins: Upper and lower margins neither wide nor narrow-a balance between the extravert and the introvert. Right margin rather narrow, indicating vitality and the courage to face life, together with certain haste. There is also the ability to be a good mixer. The left margin is interesting. Notice how it widens considerably towards the base of the letter. This will indicate to us haste, impatience, enthusiasm. The writer is innately lavish and oblivious to economic necessities. Probably his attempts at thrift often fail because of that innate lavishness.

Beginning and End Strokes: For the most part, the beginning strokes are missing, indicating directness. The end strokes are quite short, reflecting a general lack of generosity and sympathy.

Connected and disconnected writing: This sample is largely connected writing, which reveals the writer using logic in his decision-making. Yet some breaks between letters are noticed, indicating some intuition. He will rely on his logic and use the intuition as a backup.

Angles: The angles are there joining the letters and, indeed, in the letters themselves. Note the m, the n, the h. Quick and firm, they indicate a certain reliability and imperturbability in working habits.

Pen pressure: This is neither fine script nor a heavy one. There is no pressure that makes the writing shaded. There are no smears. The pressure appears to be medium-heavy-which by itself tells us little.

Loops: There seems to be almost a habitual absence of loops in both the upper and the lower zones--many of the formations are concealing strokes, others are non-existent, which will indicate a certain uncluttered thinking.

Note: some of the g’s and some of the y’s—are written like numbers--and the q, too. They indicate good judgment and mathematical ability. The f has the return stroke to the left, which tells us that the writer is quick in mind with fluent thought.

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