16. Constant changes in the letter

17. The complicated, overdone, ugly letter.

18. The letter (such as the Palmer b, which is rounded on both top and bottom) is sharp at the top as well as at the bottom

19. The letter is in the form of a musical note

20. The Greek d, e, and g

21. The capital E is shaped as two concave arcs

22. An underlength that would underline the rest of the word.

23. When the top stroke extends over the whole word

24. The downstroke extends under the body of the letter and to the left.

25. The vulgar-looking and ornate letter has a vertical line added in unnecessarily.

26. Distortions in the lower zone or strangely shaped letters

27. The first part (‘hump’) of the ‘m’ is higher than the second.

28. The letter (‘m’) is written in thready form

29. The end of the downstroke (as in the letter ‘m’) is considerably more lightly written than the rest of the letter. Heading into the lower zone, as it does, the area where the strength of the individual lies, it implies fatigue and weakness.

30. Closed oval (at the top)

31. The hump (in the ‘p’) on the wrong side of the stem

32. The second part of the letter ( ‘r’) is lower than the first

33. The letter s resembles the dollar sign

34. An angular shaped letter that is normally written (according to the Palmer method) in a rounded fashion—such as the letter ‘u.’

35. The word starts in a connected fashion, and suddenly the end of the word is left stranded, alone

36. The letter is made in a soft manner. Any letter with a gentle loop in the lower zone

37. The end stroke descends when it should be horizontal.

38. The opening exposes the lower zone

39. Small minimum (middle zone) letters

40. Typical of the spontaneous, broadminded, and "large" writer, who is sociable and sympathetic, eager to share with you and willing to let you share with him- he is "extroverted."

41. Warning

42. Impudence

43. Inflated lower loops ‘pointing’ leftward

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