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How to Create a Sound Effect Library: Step One, Recording Sound Effects
Home :: Arts & Entertainment
By: Adam A. Johnson Email Article
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Third, wind will ruin any recording so protect the mic with a windscreen or simply keep your recorder out of the wind by using physical barriers such as trees, walls, or even your jacket. Sometimes wind noise can be cut out during editing with a high pass filter and cutting frequencies below 200-500 khz but for the most part wind will destroy your recording efforts. Finally, your efforts can also be compromised if you have inadvertently recorded music in the background, such as the music played in a restaurant. This music is copyrighted and if it appears in your ambience recordings you will be violating copyright law and such recordings are essentially unusable.

These tips are simple and meant to point an aspiring sound effect artist in the right direction toward the creation of a sound effect library for use or for sale online. Future articles will discuss the process of editing, categorizing, and marketing these raw recordings.

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Music composer and sound designer Adam A. Johnson owns music company Architect of Sound at architectofsound.com , online sound effect and production music library www.sfxsource.com , and offers free sfx and music loops at www.freesoundeffectsandloops.com

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