Hair Lights, Back Lights, and Barn Doors, oh my! Studio Lighting can be very overwhelming when you first start getting into it. Some photographers out there have thousands of dollars of accessories associated with their studio setup. The good news is, you don’t have to be rich to enter into the world of studio portraits. Think about it. How many light sources did God create for earth? If you said "One" meaning the sun; you were almost right. He also created the sky and the ground to "bounce" that light into the shadows. Light that is bounced back is commonly referred to as a "fill light". If there was no fill light on earth; anything not directly lit by the sun, would have NO DETAIL, it would all be totally black.

It is astounding how much you can do with one main light and one or two fill lights. For those of you thinking three lights doesn’t sound simple to me, let me clarify. In this article what I am describing is one light and one or two reflective surfaces to help bounce that light or to fill in the shadows. With one light and one or more reflectors, you can make amazing photographs.

Having the tools and knowing what to do with those tools are two different things. Today I want to show you what to do with these basic tools.

1) Short Light is the type of studio lighting setup, where the face side of the subject which is the farthest from the camera gets the main light. In this type of lighting setup, the side of the face which is toward the camera gets less light then the side facing away form the camera. The effect you get when using this lighting setup is a thin face, this is why it is good to photograph large (or chubby) people with a short light setup. A photo tip worth remembering is: short light helps to visually thin your subject.

2) Broad light is just the opposite of Short light. In the Broad Light setup, the side that is getting the most light is the side facing the camera. This setup is less commonly used for portraits as it tends to make people look chubby. In both these cases, you can place a reflector on the opposite side of the light (at about a 45 degree angle) to help fill in the shadow side.

3) Split Light sounds more complex than it is. Position your main light on one side of your subject so that it’s exactly 90 degrees to the subject. In other words, you will see a dramatic shadow going right down to the middle of his or her face. If your main light is a flash, you might want to consider a secondary light; not for exposure . . . but just for light placement. We call this small secondary light a modeling light. In some units, they actually have a modeling light built in around the main light, so you can visually see what’s happening. Using the modeling light, make sure the line between light and dark runs directly down the center of your model’s face, right down the tip of the nose. The model should be looking directly at the camera. This is what we call a split light portrait. Another photo tip is this: split light portraits, create dramatic visual results.

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