Another technique which is often used is to play melodic figures (around chord notes) underneath a held higher note. To use this technique it is important to find a note which will fit with a number of chords in a row so that this can be held over the top of the movement underneath it.

It is also possible to use Hammond organ sounds to play lead line melodies maybe in an introduction. If this is going to be used along with any of the other styles of playing outlined above it is important to change the volume of the keyboard carefully so that this line is loud enough without chordal playing becoming too dominant in the mix.

The last important point to make about Hammond organ sounds is the possible use of a Leslie speaker effect. Many keyboards and all good Hammond organ emulators now include the option for adding this 'swirling' effect to the sound. To gain the best effect from the use of a Leslie simulator it is necessary to turn it on and off (or from fast to slow) whilst playing. This often necessitates playing mainly with one hand and keeping the other free to push the button or turn the modulation wheel. Some of these techniques are demonstrated on the Musicademy Intermediate Worship Keyboard Intermediate DVDs.

Lead synth sounds are much quicker and easier to deal with than Hammond organs. This is partly because they are only used infrequently in a worship setting. You will find different lead sounds in many keyboards and these include Saw leads, Sine leads and Square leads along with numerous others. Most of the names relate to the shape of the wave which creates the sound. By their nature lead sounds will often be quite harsh so that they cut through the mix. The best use for these sounds is to create lead melody lines for introductions and links. It is very easy for these sounds to conflict with a lead guitar part if they are playing different things. However, if both instruments play the same riff or melody a very effective sound can result.

When dealing with any new sound one of the best things we can do is to listen widely and try to hear the application of these voices in different styles of music. Try to imitate or emulate these uses, even playing along with the track at home if possible. Try things out in rehearsals and see if it works but don't go ahead and use new ideas in a live environment until you are comfortable with them.

Page 2 of 2 :: First | Last :: Prev | 1 2 | Next