For simplicity's sake, we have restricted ourselves to modes that use the notes in C major scale. remember, there are 11 other major keys, and each is the "parent" to seven related modes.

Sooner or later the serious student of the guitar develops an interest in improvisation. This most stimulating activity need not, be confined to Jazz Improvisation, but can be practiced on all styles the student is able to appreciate and comprehend.Country/Rock, Blues, Metal, Jazz, all provide ample room for improvisation.

Modes

In ancient Greece the modes were the strong pylons upon which the Greeks built their musical bridges. They are certainly not recent inventions. As long ago as the 4th century B.C. Pythagoras and the Greek thinkers had derived a system which almost corresponds with the series of white keys on the present- day piano. It is not,therefore, surprising to find these ancient Greek modes gradually being recognized as important facets in our musical language. There is an undoubted fascination with these magical scales and one simply must be determined to work and be alert to the sounds they create and above all be patient.

How the modes work:

If we were looking at a piano keyboard we would notice that without the black keys there are 8 octaves of the C major scale. If you run your finger left to right along the white keys you will be playing , the scale of C major even though you happen to start on a note other than C. This musical fact is the essence of the modes. A scale can be played from any of it's notes to any other of it's without moving into another key. Actually if you were to play the scale of C major from F to F an octave higher you would be playing a nodal scale based on the key of C and the scale would be called F Lydian.

In each major scale there are seven modes because the major scale have seven different notes, if we were working with a pentatonic scale (containg five notes) we would have five modes to work with; one for each degree.

Learn the following table -

Play a major scale from note 1 to note 1 above = IONIAN MODE

Play a major scale from note 2 to note 2 above = DORIAN MODE

Play a major scale from note 3 to note 3 above = PHRYGIAN MODE

Play a major scale from note 4 to note 4 above = LYDIAN MODE

Play a major scale from note 5 to note 5 above = MIXO-LYDIAN MODE

Play a major scale from note 6 to note 6 above = AEOLIAN MODE

Play a major scale from note 7 to note 7 above = LOCRIAN MODE

Play a major scale from note 8 to note 8 above = note 1 to 1

All examles above are shown in the key of C major however the advancing guitarist should practice the modes in every key. The same formula works for each key:

note 1 to 1 always = IONIAN

note 2 to 2 always = DORIAN

note 3 to 3 always = PHRYGIAN

note 4 to 4 always = LYDIAN

note 5 to 5 always = MIXO-LYDIAN

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