When the practicing "blahs" strike, you just need an attitude adjustment. You don't have to sweat blood to practice well. You don't even have to think of it as work, or duty, or even something that you ought to do.

Stop a minute and think about it. You like music, and you want to play some special piece that really means something to you. You want it to sound through you - right through your fingertips.

Okay? Well, you practice it to fulfill that desire, not to frustrate it.

Pause here and ask yourself some questions:

What if you could look at a piece of music for the first time, and play it correctly straight off, just as fine as you please?

How would you feel about practicing then?

Or, what if you were practicing for the Olympic swim meet next year, and felt deep down that you had a chance? How would you feel then about the training? Would you plunge into it each morning?

What if you were interrupted at a good point in yesterday's practicing? What if you had just about broken through a tough spot when you had to stop? Would you want to get back to it today as soon as possible?

You answer those questions, honestly, for yourself. There are ways to say "YES!" every day.

But, first, you've got to stop blaming yourself. You don't have to be perfect every time. You don't have to be the best player, today. And you don't have to listen to what other people say about your playing - people who are only half listening, and don't care the way you do.

Put all that out of your mind. What matters is your desire to play as well as possible.

Just start with playing - one note after another, and keep going. As the Chinese say, "A journey of a thousand miles begins with the first, step." And, if the very first step leads to the first slip, be glad for it. You can't, repeat, cannot learn without mistakes!

Now, start to think more personally about your instrument.

The piano, like the guitar, is a "touchy" instrument. Touch it, and you both produce and color its tones, like a potter molding clay. Think of the keys, all gleaming white, as the "skin" of the piano; you can either please them or hurt them. Stroke them, and the sound will come out mellow and purring. Poke them, and the sound will either "bark" sharply or woodenly "thud."

Stop thinking of yourself as playing "on" or "at" the piano. Rather, think of the instrument as an extension of your own body. When an artificial leg is fitted to an amputee, he is then taught to walk with it. Gradually, it feels more natural - more like his own leg walking. The French call the keys "les touches," or "touch-points" - as if the keys, not you, were doing the feeling.

Every musician wants to personalize this instrument. Take a look at the vocalist who hugs his guitar, or without a guitar, woos his microphone, or, without a microphone, simply woos the audience?

Every musician seeks to make his instrument an extension of his own body, the tool he or she needs to put across the strong feelings he as for the music.

Page 1 of 2 :: First | Last :: Prev | 1 2 | Next