Islamic Calligraphy has arguably become the most reverenced form of Islamic art. It provides a link between the languages of the Muslims with the religion of Islam. The Muslim calligraphists have great contributions in taking this Islamic art to this zenith. The holy book of Islam, Al-Qur’an, has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. The famous Islamic artists have created Arabic calligraphy of supreme quality. Till today, The chief sources for Islamic calligraphy are the proverbs and complete passages from the Holy Qur'an. In modern times, the supply of Islamic calligraphy has also become a flourishing Islamic art business.
Islamic calligraphy is a visible expression of the highest art of all for the muslim. It is the art of the spiritual world. Calligraphy literally means writing beautifully and ornamentally. Islamic calligraphy is the art of writing, and by extension, of bookmaking. This art has most often employed the Arabic script, throughout many languages. Since Arabic calligraphy was the primary means for the preservation of the Qur'an, Calligraphy is especially revered among Islamic arts. The work of the famous muslim calligraphers were collected and greatly appreciated throughout Islamic history. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main methods of artistic expression in Islamic cultures. Contemporary muslim calligraphers are also producing the Islamic calligraphy of high artistic quality.
Calligraphic scripts
The Kufic script is the first of those calligraphic scripts to gain popularit. It was angular, made of square and short horizontal strokes, long verticals, and bold, compact circles. For three centuries, this script had been mainly used to copy the Qur'an. The cursive Naskh script was more often used for casual writing. This script had rounder letters and thin lines. It would come to be preferred to Kufic for copying the Qur'an as techniques for writing in this style were refined. Almost all printed material in Arabic is in Naskh. The Thuluth would take on the ornamental role formerly associated with the Kufic script in the 13th century. Thuluth is usually written in ample curves as it has a strong cursive aspect. The Persians took to using Arabic script for their own language, Persian after their conversion to Islam. The Ta'liq and Nasta'liq styles were contributed to Arabic calligraphy by the Persians. Nasta'liq style is extremely cursive, with exaggeratedly long horizontal strokes. The Diwani script is a cursive style of Arabic calligraphy. It was developed during the reign of the early Ottoman Turks (16th and early 17th centuries). This outstanding Diwani script was both decorative and communicative. Finally, Riq'a is the most commonly used script for everyday use. It is simple and easy to write. Its movements are small. In China, a calligraphic form called Sini has been developed. This form has evident influences from Chinese calligraphy. Hajji Noor Deen Mi Guangjiang is a famous modern calligrapher in this tradition.
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