2003

• Le Rayon Noir, Circuit-Assossiation d’Art Contemporain, Lausanne
• New Space! Group Show!, Galeria Franco Noero, Turin

2002

• Grey Gardens, Michael Kohn Gallery, Los Angeles
• My head is on fire but my heart is full of love, Charlottenborg Udstillings-bygning, Copenhagen
• Xeros, Ecole du Magasin, Center National d’Art Contemporain, Grenoble

2001

• Deliberate Living, Greene Naftali Gallery, New York
• Parttnerschaften – Unterbrochene Karrieren, Neue Gessellschaft fur Bildende Kunst, Berlin
• American Fine Arts, New York

2000

• Quiet Life, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, curated by Michael Neff
• Sightings, Bard College, Annandale-on-Hudson, New York, curated by Jeffrey Walkowiak
• Space Open 2000, Space studios, London

1998

• Model, Galerie Belvedere, Wien, Austria
• I Hate Movies , Andrew Kreps Gallery, New York, curated by Tom Borgese
• Parasite , The Drawing Center , New York

1997

• Sans Titre, Froment + Putman, Paris

1996

• Disappeared, Randolph Street Gallery, Chicago
• American Fine Arts, New York
• Ideal Standard Life, Spiral Garden, Tokyo
• Gramercy International Art Fair, New York

1995

• Birgit Kung, Zurich
• Architectures of Display with architect Toshiko Mori, organised by Minetta Brook, New York
• Platzwechsel (with Ursula Biemann, Mark Dion, Christian Philipp Muller), Kunsthalle Zurich und Schweizer National- museum, Zurich
• Mapping: A Response to MOMA, American Fine Arts, New York

1994

• Lace, Los Angeles, California
• The New Museum of Contemporary Art, New York

1993

• Kontext Kunst, Kunstlerhaus Graz, Austria
• What Happened to the Institutional Critique, curated by James Meyer, American Fine Arts, New York
• Social Subjects, YYZ, Toronto, Ontario, Canada
• Sonsbeek 93, Arnheim, Netherlands
• Project Untie, Firminy, France

1992

• White Colums, New York
• American Fine Arts, New York

1989

• Paula Allen Gallery, New York
• American Fine Arts, New York

1988

• Hallwalls Contemporary Arts Center, Buffalo, New York
• Whitney Independent Study Program, New York

Conclusions:
Tom Burr written texts address the social, architectural, and psychological space of the fluorescent, mirrored 42nd street milieu that one finds all over the "peep showed" world. These objects are often descriptive, illustrating of a set of ideas expressed more accurately by textual means.

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