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The Art of Playing Jazz Guitar - A True Preparation Primer Part 2
Home :: Arts & Entertainment :: Books & Music
By: John Belthoff Email Article
Word Count: 1039 Digg it | Del.icio.us it | Google it | StumbleUpon it

  

If we were to find someone we don't know and say to them; "What is your name?" We would get a response. Don't forget that a non response is also a response. We must realize the actual response we get is dependent on how we phrase and/or articulate our words and realize that we can control this response only if we understand its relationship to our actual question.

I'll explain. If we were to say those exact words in a teasing, tormenting and antagonistic manner we would get one response. If on the other hand we were to use an openly friendly demeanor we get an entirely different response all together.

By doing this simple thought exercise we realize that using the exact same words spoken in different ways produces vastly different responses.

By observing, understanding, and practicing this behavior we can learn to exploit and utilize this technique to our advantage to allow the full potential in our guitar playing that invokes the response were seeking, whatever that may happen to be.

The human voice is of particular concern to us because our ultimate goal is to emulate what it does with our instrument. We want to be able to communicate with our guitars the way people communicate when they speak to each other - which is not unlike melodies.

As babies, we were only able to make rudimentary noises to communicate. Years later, hopefully, we are able to form intelligent rational thoughts and convey them with our words using articulation and phrasing and word combinations to mean many things. We want to apply this to our guitar playing.

Remember, it took us years to be able speak in this manner and we should approach practicing melody with the same realization and not try to run before we can walk.

We should also remember that even babies can communicate in a very compelling manner without using words at all! So don't be afraid if this practice routine seems too simple. It's not the notes you use, it's what they are actually communicating that is important.

What can we deduce from all of this?

When you start finding yourself practicing or playing those blazing fast cool scalar riffs, stop and think about how many times you hear actual people speak like that.

Now - ask yourself how long you would stay and listen to them if they did.

That's it for now but look for new articles in the future and remember; have fun, practice hard and always play your heart out!

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John Belthoff is an avid web developer who plays and teaches Jazz Guitar in his spare time. He owns an Asp.Net Web Hosting Company: http://www.hostsstation.com where you can contact him about hosting your guitar website/blog or just to learn more.

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