There are ways to botch French Country home design, e.g., hold rooflines to one pitch to assure consistent soffit depth and single-level eaves – in the name of cheap, easy, and stylistically insensitive; apply Corinthian columns in lieu of, say, Tuscan, or flute the Tuscan columns; confuse French styling with English, unbalance vertical and horizontal to favor horizontal; not mullion grouped windows, not apply true French casement windows; use plastic shutters, S-dog the shutters, not apply true French doors, asphalt shingle the roof, insist on broad facia and frieze boards, etc.

And there are ways to develop French Country home plans by using - contemporary technologies, among them, e.g., cost-efficient cultured stone, particularly in its fieldstone representations – perhaps by Owens Corning; and by using artistry, e.g., the half-round copper gutter systems of A. B. Raingutters, Inc., Classic Gutter Systems, L.L.C., the gas or electric luminaires of Charleston Lighting Company or the aluminum wrought-like railing of Southeaster Architectural Metals, the garage doors of the Carriage House Door Company, and the like.

French Country style encourages applying design principles of excellent residential design, such as, Russell Versaci's Creating a NEW OLD HOUSE: Yesterday's Character For Today's Home, The Taunton Press, 2003, and Jacobson, Silverstein, and Winslow's Patterns of Home: The Ten Essentials of Enduring Design, The Taunton Press, orig. 1941, reprint 2002; and, separately, sacred geometry. Here again, you can embrace and succeed or disregard and fail in the design effort.

Take, for example, the layering and other arrangement of finish clad, notably in steeply sloped gable ends. In Versaci's realm of signaled, or suggested, age, it is the wise designer who specifies supposedly older, heavier (looking) materials – fieldstone and the like – from grade up to, say, L1, and then some lighter material higher up. Such arrangement and layering would be particularly in-keeping with more steeply sloped roof gable ends which would most unlikely be originally run up 2 stories under high, hard to support roof pitches. That is, L2 should and would appear to be of more recent vintage than L1, and presenting a story of age without such attention to detail is to send the gift horse packing.

Finally, in the vernacular of Patterns of Home, again for example, the French Country style readily lends itself to creating a courtyard, or "Creating Rooms, Outside", and to dormered space demonstrating design keystones of "Refuge and Outlook" under a "Sheltering Roof," particularly if the rooflines are low-profiled and trimmed more simply on L2 than on L1.

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